- Mario Luxxor
- 5 hours ago
- 4 min read
A confession. A portal.
MARIO LUXXOR ON HIS DEBUT NOVEL
Q1: Why this story and no other one?
Mario: I originally wanted to tell the story of a young man who falls in love with his rapist. But when I pitched it, most people couldn’t connect with it. I still believe it’s a powerful and necessary narrative — one that explores the complexity of trauma and love — but I knew I had to pivot. All Nights Die Young grew from that early idea. It became something just as daring, still rooted in trauma, desire, and survival… just told through a different lens.
Q2: What inspired All Nights Die Young?
Mario: Real life. When I first arrived in the U.S., I was thrown into a world where nightlife and fantasy blurred the lines of reality. Drugs, desire, connection—all of it created a world that felt more honest than sobriety ever did. I saw people fall in love in the middle of chaos. And I wanted to write about that.
Q3: How long did it take you to write this novel?
Mario: Six years. It started as a screenplay. English wasn’t my first language, so turning that script into a novel was both brutal and beautiful. I had to learn how to express what I felt — not just translate the words. That’s when everything changed. That’s when I stopped writing to fill and started writing to feel.
Q4: What message do you want readers to take away?
Mario: That beauty can exist in darkness. That falling is not always failure—it can be transformation. And that sometimes the people who break us are the ones who show us who we really are.
Q5: Who is your favorite character and why?
Mario: Derrick and Lincoln. They are me in another lifetime. Writing them was absurdly painful and cathartic.
Q6: Is there a film adaptation in the works?
Mario: Yes. The screenplay is ready. That’s how it started, and it’s still the heartbeat of this whole project. I want to direct it myself. The book was my way of building a world so deep that when we shoot it, it feels lived in—like the characters have been waiting for the camera to catch up.
Q7: What was the hardest scene to write?
Definitely the ending. The ending was written in so many versions along the whole five years that the screenplay took to finish. But I do clearly remember when the last scene was finally crafted, I was in Palm Springs at a hotel called The Twist. It was 2 pm.. it was hot outside but cold inside. I shut all the curtains and I turned the room into darkness, and I played Titanic's soundtrack "Rose" by James Horner on repeat. I cried my eyes out while pouring myself out on the last scene... It took me around six hours to finish the ending.
Q8: How much of All Nights Die Young is based on real events?
Over the five years working on what used to be called The Beauty of Falling, I got so many negative reviews. Every time I brought new ideas to the story, I thought I was improving it — adding more intensity, more drama — but I didn’t realize the problem wasn’t the story. It was the narrative. I was new, and I believed more chaos meant more meaning. In the end, the storytelling became a collage of my own madness. But the heart of the story — that fragile, beautiful core — it’s always been real. It’s happening out there, every day.
Q9: Does New York play a role in the novel?
Big time. In the end, Derrick tells RedSaint he’s leaving New York — not because he gave up, but because he finally understood what New York really is. It’s not a city for everyone. It’s a beast. It’ll hand you a dream with one hand and crush you with the other. It doesn’t care who you are. If you’re not ready, it’ll eat you alive.
Q11: If you could sit down with any one of your characters, who would it be? And what would you ask them?
I don’t think they’d let me talk. I think they’d hate me — especially Lincoln. The first version of him, five years ago, was naive but brilliant. He was meant to be the hero. But something deep down told me he had to be the one who suffered the most. Turning the story toward him was the most heartbreaking decision I made. Because once you love your characters, it becomes almost impossible to close the doors on them. But without his suffering… there wouldn’t be a lesson. And without the lesson, there’s no story.
Q12: What’s one thing readers might miss the first time around?
"I happened when he saw me." -Lincoln.

A FRAGMENT FROM ALL NIGHTS DIE YOUNG
“It’s raining... it’s raining,” he murmured, glancing at the closed window and reaching out towards the curtain. However, some arms are shorter than the desire.
“Don’t move! If you move, I’d hurt you,” said Derrick, impatient, eager to finish his purpose.
With effort, he slipped out from under Derrick’s oppressive weight, ran to the window, pulled back the curtains, and saw the torrential rain falling outside.
Lincoln faked a smile as if he had never seen the rain before. He covered himself in white sheets and ran barefoot into the street. In the middle of the deserted avenue, as the water drenched him, he knelt and cried like a baby, releasing the carnal and emotional pain of being silently abused.
“Hey, get back here right now!” Derrick shouted, annoyed and dazed, standing in the doorway, dressed only in a gray sweatpants.
“Come back here right now, or the octopus will get you,” he ordered.
What did this book made you feel?
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