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Introduction:

The world of cinema is a magical realm that weaves stories, emotions, and artistry into a mesmerizing tapestry. Every year, the Oscars shine a spotlight on outstanding films that have left an indelible mark on the industry. Among these cinematic treasures are "The Shape of Water," "Blue Jasmine," and "Moonlight" – four gems that have not only captured the hearts of audiences but have also earned their rightful place in the annals of film history.


  1. "The Shape of Water":

Directed by the visionary Guillermo del Toro, "The Shape of Water" is a modern fairy tale that transcends genres and expectations. Set against the backdrop of the Cold War era, the film tells the enchanting story of Elisa, a mute cleaning lady played with grace by Sally Hawkins. The film's brilliance lies in its ability to blend fantasy, romance, and political allegory seamlessly.


Del Toro's meticulous attention to detail and the mesmerizing cinematography by Dan Laustsen create a visually stunning masterpiece. "The Shape of Water" not only won four Academy Awards, including Best Picture and Best Director, but it also left an enduring impact with its message of love, acceptance, and the beauty of embracing the unconventional.


  1. "Blue Jasmine":

Directed by the legendary Woody Allen, "Blue Jasmine" is a modern-day tragedy that showcases the fragility of wealth and the consequences of deception. Cate Blanchett delivers a tour de force performance as Jasmine French, a fallen socialite grappling with the aftermath of her husband's financial scandals.


The film's narrative unfolds with a poignant mix of humor and sorrow, exploring themes of privilege, mental health, and the pursuit of identity. Blanchett's portrayal earned her the Academy Award for Best Actress, solidifying "Blue Jasmine" as a cinematic gem that delves into the complexities of the human psyche.


In the pantheon of Woody Allen's films, this modern-day tragedy stands as a poignant reminder of the consequences of a life built on falsehoods.


  1. "Moonlight":

"Moonlight," directed by Barry Jenkins, is a cinematic triumph that explores the intricacies of identity, love, and self-discovery. Divided into three acts, the film follows the life of Chiron, a young black man coming to terms with his sexuality in a rough Miami neighborhood. With its raw emotion, powerful performances, and breathtaking cinematography, "Moonlight" defies conventions and challenges societal norms.


The film's intimate portrayal of Chiron's journey, coupled with its poignant exploration of masculinity and vulnerability, garnered widespread acclaim. "Moonlight" made history by winning the Oscar for Best Picture in a surprising turn of events, underscoring its impact on both the industry and audiences alike.


  1. "Brokeback Mountain":

Ang Lee's "Brokeback Mountain" stands as a pioneering film that brought a powerful love story to the forefront, challenging societal norms and prejudices. The tale of Ennis and Jack, two cowboys who find themselves entangled in a forbidden romance, is a poignant exploration of love, loss, and the societal constraints that shape lives. Ledger and Gyllenhaal's performances earned critical acclaim, and the film's enduring legacy is cemented by its three Academy Awards, including Best Director for Ang Lee.


At its core, "Brokeback Mountain" tells the forbidden love story of Ennis Del Mar, portrayed by Heath Ledger, and Jack Twist, played by Jake Gyllenhaal. The film's narrative explores the complex interplay of societal expectations, cultural constraints, and personal desires, challenging preconceived notions about masculinity and love. Lee's direction delicately navigates these themes, creating a nuanced portrayal that resonates with audiences on a deeply emotional level.


The film's impact extended beyond the accolades, sparking conversations about LGBTQ+ representation in mainstream cinema and paving the way for more inclusive storytelling. Its cultural significance endures as a landmark moment in film history.


Conclusion:

"The Shape of Water," "Blue Jasmine," and "Moonlight" are not just films; they are cinematic jewels that have etched their names into the history of the Oscars. These gems showcase the diversity of storytelling within the film industry, from fantastical romances to modern tragedies and poignant explorations of identity.


As we celebrate the artistry of these films, we recognize the enduring power of cinema to captivate, inspire, and evoke profound emotions that resonate with audiences around the world.

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What does it need to happen to call a movie the best movie of the year?


Well let’s start defining what a movie is. A movie is a sequence of images that all together tells you a story presented by imperfect characters in a specific world trying to overcome obstacles to reach a desired goal.--- any resemblance with reality is a coincidence. 


The accolade of being the best movie of the year hinges on the film's excellence across multiple dimensions. It necessitates achieving the pinnacle in storytelling, character development, thematic elements, cinematography, direction, and more.


The film must adeptly establish and immerse the audience in its unique world, whether it's a fantastical realm, a historical era, or a contemporary setting.


Exceptional movies feature characters that are intricately developed and relatable, grappling with significant challenges or conflicts. Viewers should feel a deep investment in the characters' journeys, relationships, and personal growth. The portrayal and resolution of these struggles contribute significantly to the film's impact. 


A strong narrative is set by clear and meaningful character goals, motivations, and arcs. The audience should comprehend and empathize with the characters' quests. An outstanding movie explores relevant themes and imparts meaningful messages that resonate with the audience. This could involve addressing societal issues, delving into philosophical questions, or conveying emotional truths. 


The director's vision plays a pivotal role in steering the narrative, guiding performances, managing technical aspects, and assuming the responsibility of ensuring that the film's message aligns with intended themes. Moreover, the director's influence extends to resonating with the audience and reflecting a sense of social or ethical responsibility. This recognition underscores the influential impact that movies can have on shaping perspectives and sparking conversations in society.


In a cinematic landscape flooded with narratives, 'Poor Things' emerges as a beacon of innovation and brilliance, defying conventions and captivating audiences with its pure originality. 


Directed by the visionary filmmaker Yorgos Lanthimos, this masterpiece challenges the very essence of traditional cinema. As we delve into what makes a movie the best of the year, let's unravel the unique tapestry of 'Poor Things.’


Brief synopsis: Doctor finds a dead woman. Woman’s pregnant. Doctor replaces the mother's brain for the unborn’s brain. Doctor revives mother. Mother is now impaired


Just by reading those lines, you should feel intrigued.  If you are not, please stop reading, and thank me later.


Here are a few reasons why ‘Poor Things’ is the best movie of the year.  And before I continue, I want to be clear, ‘Poor Things’ might not be your cup of tea, but you cannot bring it down.


Narrative:

First and foremost, the film’s narrative is a breath of fresh air. It skillfully weaves a compelling story that transcends conventional genres, offering a unique and thought-provoking experience. The continuous plot twists and turns keep viewers on the edge of their seats, challenging their own perceptions and assumptions, making the viewing experience both thrilling and unpredictable.


Cast:

The ensemble cast delivers standout performances that elevate ‘Poor Things’ to a level of excellence, rarely seen in contemporary cinema. Emma Stone, who plays Bella Baxter said that Bella has been one of the more complex characters she had ever played. Mark Ruffalo, who did not want to participate in the movie, found nothing in common with his character Duncan. And the extraordinary William Dafoe. These actors and the rest of the cast including Kathryn Hunter, whose performance I found delicate and delicious, went beyond the comfort of their craft and dug masterfully into the intricate complex characters. Each actor brings nuance and authenticity to their characters, creating a symphony of emotions that resonates with the audience long after the credits roll. The chemistry among the cast members is palpable, contributing to the film’s overall impact.


Furthermore, ‘Poor Things’ is a visual feast for cinephiles.


The cinematography, led by Robbie Ryan–C’mon, c’mon and The Favourite, is nothing short of breathtaking. Every frame is meticulously composed, showcasing a mastery of the visual language of cinema. The use of color and black & white give a sense of diversification within the worlds the film presented. Innovative camera techniques and artistic framing elevates the film to a visual spectacle that is as aesthetically pleasing as it is intellectually stimulating.


The film’s score, composed by Jerskin Fendrix, deserves special mention. The haunting melodies and evocative themes not only complements the narrative but also serves as a character that stands tall along the movie, enhancing the emotional depth of the story, leaving a lasting imprint on the viewer’s soul.


‘Poor Things' transcends the realm of conventional filmmaking, offering an immersive experience that challenges boundaries and opens a portal into a unique narrative. With its innovative storyline of a 36-year-old woman possessing a transplanted 2-year-old brain, the film serves as a poignant metaphor for the complexities of the modern world.


This extraordinary tale becomes a powerful commentary on the challenges individuals face in navigating a rapidly changing society. As the story unfolds, it prompts reflection on the importance of embracing diversity, adaptability, and the harmonious fusion of contrasting perspectives in our contemporary world. By skillfully blending the fantastical with the real, 'Poor Things' underscores the need for understanding, empathy, and acceptance in a world grappling with societal evolution and individual identity.


The film's impactful nature lies in its ability to provoke thought and encourage meaningful conversations about the ever-shifting dynamics of our present-day reality.

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INTRODUCTION

'Welcome to America, so you're a filmmaker and you have no camera,' they asked with a hint of intimidation that made me wonder if I even had a camera. 'That's right, sir, I have no camera,' I replied firmly. After living 15 years with an intimidated father, you either become submissive or you learn not to be easily intimidated. They let go of the filmmaker with no camera. Since then, it's been one adventure after another. Today, I want to share with you my experience of shooting 'Little Dog,' my first short film in the USA—correction, the second one, because the first one was no good, so I tossed it down the drain.


Little Dog had four versions: the one I wrote, the one we shot, the one we re-shot, and the one you will get to watch. Each time I viewed the version that you'll experience, I arrived at the same conclusion—it should've been called 'Miracle.' Yet, 'Little Dog' was 'Little Dog' before 'Little Dog' was 'Little Dog'—a short film with a big heart.


Little Dog was initially inspired by my old friend, whose life was confined to a wheelchair after a second heart attack. His dream of becoming an actor placed me on the spot. I told him, 'Let's make a short film; in case you die, you'll be displayed on screen eternally.' He couldn't resist the idea, but doctors refused, presenting me with a massive challenge. That's when I set out to find my own Mr. Larry.


THE SCRIPT

The script for Little Dog swiftly took shape during a single session at Gold's gym in Austin, Texas—a curious kid challenging an old man about the absence of technology, with the old man vexed by the child's simple perspective. This image emerged as a crucial hook. However, it wasn't until the arrival of the third character that the narrative delved deeper, transforming a straightforward concept into a more intricate exploration of interpersonal relationships. How characters evolve, emotions run deep, and unexpected bonds shaped by invisible strings.


The necessity of learning for the young character's literary journey was non-negotiable, and I was adamant about not opting for a children's book. In my quest to find the perfect literary companion, I recalled the profound impact of "On Earth We're Briefly Gorgeous" by Ocean Vuong. My decision to draw inspiration from Vuong's novel is deeply personal. His prose, steeped in emotion and nuanced storytelling, resonated with me on a level that transcended the pages. The novel's unparalleled ability to capture the essence of the human experience became a driving force, inspiring me to infuse those same emotions into the visual storytelling of "Little Dog."


ON SET PART I

No on-set adventure is without its challenges, unexpected twists, the last-minute changes, and the collaborative problem-solving that define the true essence of filmmaking. It's not just about sticking to the script; it's about embracing the spontaneity that makes every shoot a unique adventure. Little Dog's story became an unexpected twist in our narrative. Planned as a two-day shoot, our adventure was abruptly cut short to just one. The homeowner, discovering a broken toilet from the first day, firmly declared, "Your production is over." As the lone producer, navigating this unscripted challenge became an internal dialogue. Little Dog limped away, leaving us to redefine our storyline in the face of unforeseen setbacks.


ON SET PART II

Back to my hotel room in Portland, Oregon, where I put together the project, I realized that we had to get back on set to find the missing piece. But money was running out. So the challenge was to fly back to Chicago, rent the location for three hours under a different name, and finish the short with a crew of 2 people and actors. Upon our arrival, the cinematographer asked, where's the sound guy? And, I said, no sound guy. His face was priceless.


EDITING ROOM

Returning to the editing room wasn't the exhilarating experience I had anticipated. The alternative ending I envisioned didn't come together as expected; visually, it lacked allure, and the missing piece I sought was replaced with something different, something I couldn't resonate with. The truth? I didn't like it. When I work, I must find satisfaction in what I create, something worth talking about. If I don't like it, I won't talk about it.


So, I let it sit for two months, but the memory of the powerful scenes lingered — the emotions, the fights, the tears, the learning, the curiosity, the looks, the eyes, the gestures. It was a feast of experiences, overwhelming yet inspiring. However, with such a rich tapestry, I struggled to figure out how to weave it all together.

Then came a breakthrough. I made a list, capturing the raw emotions and clever dialogues, and meticulously organized them on paper. With a newfound clarity, I embarked on the editing of Little Dog from scratch. No longer bound by the initial script, I let the material guide me. No rush, no constraints, just a focused effort, allowing the character to speak for itself. And voilà!

CONCLUSION

What excites me most about 'Little Dog' is its commitment to going beyond the surface. This film is not just a cinematic endeavor; it's a personal project—it's my way of sharing a piece of my soul with you. I invite you to explore your own connections and reflect on the transformative power of human relationships..


As a director, I want to create an experience that resonates with your heart and stays with you long after the credits roll. If I achieve that with just one person, I would consider our work well done.


Thank you for being a part of this personal and heartfelt venture of discovering the beauty that emerges from the unlikeliest of circumstances. I can't wait for you to experience the magic of Little Dog.




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