Why ‘Poor Things’ Is The Best Film Of The Year

What does it need to happen to call a movie the best movie of the year?

Well let’s start defining what a movie is. A movie is a sequence of images that all together tells you a story presented by imperfect characters in a specific world trying to overcome obstacles to reach a desired goal.--- any resemblance with reality is a coincidence. 

The accolade of being the best movie of the year hinges on the film's excellence across multiple dimensions. It necessitates achieving the pinnacle in storytelling, character development, thematic elements, cinematography, direction, and more.

The film must adeptly establish and immerse the audience in its unique world, whether it's a fantastical realm, a historical era, or a contemporary setting.

Exceptional movies feature characters that are intricately developed and relatable, grappling with significant challenges or conflicts. Viewers should feel a deep investment in the characters' journeys, relationships, and personal growth. The portrayal and resolution of these struggles contribute significantly to the film's impact. 

A strong narrative is set by clear and meaningful character goals, motivations, and arcs. The audience should comprehend and empathize with the characters' quests. An outstanding movie explores relevant themes and imparts meaningful messages that resonate with the audience. This could involve addressing societal issues, delving into philosophical questions, or conveying emotional truths. 

The director's vision plays a pivotal role in steering the narrative, guiding performances, managing technical aspects, and assuming the responsibility of ensuring that the film's message aligns with intended themes. Moreover, the director's influence extends to resonating with the audience and reflecting a sense of social or ethical responsibility. This recognition underscores the influential impact that movies can have on shaping perspectives and sparking conversations in society.

In a cinematic landscape flooded with narratives, 'Poor Things' emerges as a beacon of innovation and brilliance, defying conventions and captivating audiences with its pure originality. 

Directed by the visionary filmmaker Yorgos Lanthimos, this masterpiece challenges the very essence of traditional cinema. As we delve into what makes a movie the best of the year, let's unravel the unique tapestry of 'Poor Things.’

Brief synopsis: Doctor finds a dead woman. Woman’s pregnant. Doctor replaces the mother's brain for the unborn’s brain. Doctor revives mother. Mother is now impaired. 

Just by reading those lines, you should feel intrigued.  If you are not, please stop reading, and thank me later.

Here are a few reasons why ‘Poor Things’ is the best movie of the year.  And before I continue, I want to be clear, ‘Poor Things’ might not be your cup of tea, but you cannot bring it down.

Narrative:

First and foremost, the film’s narrative is a breath of fresh air. It skillfully weaves a compelling story that transcends conventional genres, offering a unique and thought-provoking experience. The continuous plot twists and turns keep viewers on the edge of their seats, challenging their own perceptions and assumptions, making the viewing experience both thrilling and unpredictable.

Cast:

The ensemble cast delivers standout performances that elevate ‘Poor Things’ to a level of excellence, rarely seen in contemporary cinema. Emma Stone, who plays Bella Baxter said that Bella has been one of the more complex characters she had ever played. Mark Ruffalo, who did not want to participate in the movie, found nothing in common with his character Duncan. And the extraordinary William Dafoe. These actors and the rest of the cast including Kathryn Hunter, whose performance I found delicate and delicious, went beyond the comfort of their craft and dug masterfully into the intricate complex characters. Each actor brings nuance and authenticity to their characters, creating a symphony of emotions that resonates with the audience long after the credits roll. The chemistry among the cast members is palpable, contributing to the film’s overall impact.

Furthermore, ‘Poor Things’ is a visual feast for cinephiles.

The cinematography, led by Robbie Ryan–C’mon, c’mon and The Favourite, is nothing short of breathtaking. Every frame is meticulously composed, showcasing a mastery of the visual language of cinema. The use of color and black & white give a sense of diversification within the worlds the film presented. Innovative camera techniques and artistic framing elevates the film to a visual spectacle that is as aesthetically pleasing as it is intellectually stimulating.

The film’s score, composed by Jerskin Fendrix, deserves special mention. The haunting melodies and evocative themes not only complements the narrative but also serves as a character that stands tall along the movie, enhancing the emotional depth of the story, leaving a lasting imprint on the viewer’s soul.

‘Poor Things' transcends the realm of conventional filmmaking, offering an immersive experience that challenges boundaries and opens a portal into a unique narrative. With its innovative storyline of a 36-year-old woman possessing a transplanted 2-year-old brain, the film serves as a poignant metaphor for the complexities of the modern world.

This extraordinary tale becomes a powerful commentary on the challenges individuals face in navigating a rapidly changing society. As the story unfolds, it prompts reflection on the importance of embracing diversity, adaptability, and the harmonious fusion of contrasting perspectives in our contemporary world. By skillfully blending the fantastical with the real, 'Poor Things' underscores the need for understanding, empathy, and acceptance in a world grappling with societal evolution and individual identity.

The film's impactful nature lies in its ability to provoke thought and encourage meaningful conversations about the ever-shifting dynamics of our present-day reality.